Dario Pometti tenor

Technique and Interpretation

Voice Teacher

Philology and Vocal Phonetics

Italian Language Coaching

Dario Pometti tenor

Solo Career

Operatic Tenor

Dario Sebastiano Pometti is an Italian lyric tenor specializing in the Mozart and Belcanto repertoire.He graduated with honors from the “V. Bellini” Conservatory in Catania and the “G. Martucci” Conservatory in Salerno, and further refined his training at prestigious institutions such as the Accademia Rossiniana (Rossini Opera Festival, Pesaro), Accademia Chigiana in Siena, Accademia “AMO” at Teatro Coccia in Novara, and the Accademia Rodolfo Celletti in Martina Franca, working with renowned artists including William Matteuzzi, Ernesto Palacio, Sara Mingardo, and Daniele Gatti.His roles include Tamino (Die Zauberflöte) with AsLiCo in major Italian theatres and at the Bregenz Festival, Don Ramiro (La Cenerentola) at Teatro Massimo in Palermo, Belfiore (Il viaggio a Reims), Tebaldo (I Capuleti e i Montecchi), and Matteo Borsa (Rigoletto). Since 2024 he has been collaborating with the Wiener Staatsoper. In 2026 he will join the Opera Studio of Teatro Colón in Buenos Aires and will make his debut at Opera Burg Gars during the 2026 summer season.

Voice Teacher

Technique and Interpretation

Alongside his stage career, he maintains an active teaching practice, working with singers of different levels and backgrounds. Having studied in both Italy and Austria, he offers expertise in Italian repertoire (from Baroque to bel canto and early Verdi) as well as German repertoire (Mozart, Haydn, Strauss).His teaching approach is grounded in solid technical foundations: costal-diaphragmatic breathing and conscious breath support, balanced vocal emission, management of the passaggio, resonance placement (“mask”), and tonal consistency. Special emphasis is placed on the connection between technique and interpretation, diction, stylistic awareness, and dramatic truth, ensuring that vocal freedom always serves musical expression.

Italian Language Coaching

Philology and Vocal Phonetics

In addition to his musical training, he pursued classical studies with a focus on Latin and Ancient Greek, cultivating a deep interest in language, literature, and philology. Throughout his artistic journey, he has consistently combined vocal study with personal research into text, phonetics, and poetic-musical interpretation.He offers Italian language coaching for singers and international students, with particular attention to operatic diction, textual understanding, and expressive nuance. His aim is to provide linguistic and cultural tools that enable authentic, stylistically informed performances.